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Brighton Film School & Studios

Camera Department

35mm Mitchell BNCR fitted with T2 20-120 Angénieux and PAL video tap. This former Paramount camera has been customised by Joe Dunton. Runs from 8 to 32fps and 24 or 25fps, and the variable shutter range is 50° to 205°. Exteriors handled with 30v battery power.
see pictures

35mm Techniscope Eclair Caméflex MOS Camera doubles your footage and produces 2.35 without anamorphics with its 2 perf pulldown. Fitted with Camé, Arri and Nikon mounts and runs at 24fps with its Perfectone 12v motor.

35mm/S16mm Eclair Caméflex MOS Camera with its fast change magazine capability provides a superb way of flexi shooting. Uses same 400' and 200' magazines and motor as the Techniscope body, and has Arri, Nikon and M42 mounts in addition to the original Camé mount, and a 300mm 3.5 Kinoptik lens.

Arriflex 16BL with a T2 12.5-75mm Angénieux and 400' magazines.

Arriflex 16M with 2.2 12-120mm Angénieux, 400' & 200' magazines.

Several R16 Bolex Cameras with 10 to 150mm lenses - ideal for animation.

Prime Arri Lenses :

T2 5.9mm Angénieux (16mm only)
T2.2 32mm Opton
T2.2 50mm Opton
T2 100mm Angénieux

35mm Mitchell BNCR back up
   
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